- 不安
- 主演:英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特
- 类型:剧情
- 导演:罗伯托·罗西里尼
- 地区:其它
- 年份:1954
- 语言:其它
- 备注:HD中字
- 更新:2024-09-10
- 播放列表
- 无尽
倒序↓顺序↑
- 相关影片
-
我不是继承人
孙聪 , 彭静 , 刘亚津
剧情片
2024/中国大陆
HD
-
好孩子
莉莉·科利亚斯,Sumaya Bouhbal,Valentine Black,戴安娜·厄尔文,詹姆斯·勒格罗,丹尼·麦卡锡,Julian Grady,Becca Morrin,Sarah Wilson,Samuel Lanier,Eric Yates,Peter McNally
剧情片
2024/美国
HD中字
-
第五大道看世界
Fiona Robert,Sophia Robert,保罗·卡米耶,理查德·伊利斯,卡罗琳·法里纳,洛根·米勒,Noelle Miller,弗朗西丝卡·鲁特-多德森,惠特·斯蒂尔曼,Dan Thompson,Tensaye Yosef,塞斯·希尔,Pedro Saint Morillo,Nhumi Threadgill,Kathryn Burns,Emily Keefe,肖恩·奥蒙德,Gianmarco Soresi
剧情片
2024/美国
HD
-
神圣无花果之种
Missagh Zareh,Soheila Golestani,Mahsa Rostami,Setareh Maleki,Niousha Akhshi,雷萨·阿克拉吉拉德,Shiva Ordooie,Amineh Mazrouie Arani
剧情片
2024/伊朗,法国,德国
HD
-
你的万水千山
张奕,辛宇,李佳乐
剧情片
2024/中国大陆
HD
-
峡谷情缘
剧情片
2024/中国大陆
HD
- 简介
Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.